Melanie Bardian studied historical cultural studies at Saarland University in Saarbrücken. She has been a PhD student at the Department of European Contemporary History at the University of Saarland since October 2015. She has been working there as a research assistant since October 2017. Under the direction of Professor Dietmar Hüser, she worked on the history of the German-American Institute in Saarbrücken in her diploma thesis. The dissertation project America at the Saar 1957-1983. Institutions, debates, perspectives builds on her thesis. Her research interests are mainly cultural transfer research and the recent history of Saarland.
Jessica Burton is a PhD researcher at the Centre for Contemporary and Digital History (C2DH) in Luxembourg. She specializes in Comics Studies, and obtained her Masters in the subject from the University of Dundee in 2014. She also completed a Bachelors with Honours in French Studies at the University of London Institute in Paris in 2013. Jessica remains extremely active in the field of comics production, continuing her work as an Editor for the UK´s primary publisher, Titan Comics, where she edits titles such as Doctor Who.
Andreas Fickers is the director of the Luxembourg Centre for Contemporary and Digital History (C²DH) and head of the DH-Lab. He studied history, philosophy and sociology and is currently Professor for Contemporary and Digital History and chair of the Association of Professors of the University of Luxembourg. He took his PhD in 2002 at RTWH Aachen University and worked as Assistant Professor for television history at Utrecht University (2003-2007) and Associate Professor for comparative media history at Maastricht University (2007-2013).
From 2004 to 2013, Dietmar Hüser held the Chair of History of Western Europe (19th/20th century) at the University of Kassel and since then has been working as Professor of European Contemporary History at the University of Saarland. Central research axes are French history after 1945, German-French and Western European (political) relations, (social) comparisons and (cultural) transfers as well as aspects of European integration and international history. Ongoing projects address the role of popular cultural products, phenomena and practices in social and political transformation after the Second World War. Since 2017, he is director of the France Center of Saarland University, and since 2017 he is responsible for the German-French-Luxembourg Doctoral College ‘International History of Interdisciplinary. German-French-European Perspectives in the 20th Century’.
Sonja Kmec has studied history at the Centre Universitaire du Luxembourg, Paris IV-Sorbonne, Glasgow-Strathclyde and Durham. She did her doctoral research at the University of Oxford and graduated in 2004. As postdoc, she was part of the „Lieux de mémoire“ project led by Michel Margue at the University of Luxembourg. Since 2010, she is associate professor in history and cultural studies at the University of Luxembourg. Her fields of research are identity and memory studies, gender studies, popular and material culture.
From 2012 to 2018, Ann-Kristin Kurberg completed the German-French bilingual teaching degree in History and French at the University of Saarland and the Université de Lorraine. From 2016 to 2018 she was a student assistant at the Department of European Contemporary History at the University of Saarland. For her exam she wrote on the topic ‘On the right path? - The local election successes of the Front National since 1995 and the impact on the German-French town twinnings Rastatt-Orange and Herne-Hénin-Beaumont’. Since 2018 she is working in the DFG/FNR research project ‘Popular Culture Transnational – Europe in the long 1960s’.
Richard Legay is a PhD Candidate at the C²DH (Luxembourg Centre for Contemporary and Digital History) at the University of Luxembourg, where he is conducting research, under the supervision of Prof. Dr. Andreas Fickers, on the transnational history of commercial radio stations and popular culture in the 60s. His research interests are in Media History, especially Radio History, and in Public & Digital History. He holds a MA in Contemporary European History from the University of Luxembourg and a M.Phil in Public History & Cultural Heritage from Trinity College Dublin.
After studying music and studying medieval and modern history, musicology and art history, Gunter Mahlerwein worked for many years as a freelance music teacher and historian. Since 2009 he has been teaching at the Department of History of the University Mainz, 2011-2015 and again since 2017 he works as a research assistant at the Department of Cultural and Media History of the Saarland University. His works, which focus on social and cultural history, are often related to the theme of space (village, city, region) and cover the period from the 17th to the late 20th century. First works on media history and youth cultures focused on the spatial aspect. In the current project, he deals with children’s television series of the 60s in the Western European comparison.
Benoît Majerus is Associate Professor of European History at the University of Luxembourg. His research focuses on the history of occupation during the two world wars and the history of psychiatry in the 20th century. He has a monthly radio show, Radio Grand Papier, on comics on Radio Campus Bruxelles.
Aline Maldener, Diplomkulturwissenschaftlerin, has studied Cultural Studies at Saarland university focusing on cultural and media history from the 19th century to the present time. She finished her studies 2012 with a diploma degree. Her diploma thesis was a comparative and transnational analysis of the young consumer’s image in contemporary youth magazines of the 1960s and 1970s in Great Britain and Germany. From 2014 to 2018 Aline Maldener has been a research associate at the chair of cultural and media history at Saarland university. Her research and publishing focuses on the history of European youth media, the history of popular culture, film and cinema history, and women’s and gender history, mainly in the twentieth century.
Jasmin Nicklas has been a research assistant at the Department of European Contemporary History at the University of Saarland since 2015. She wrote her master’s thesis under the direction of Rainer Hudemann and Dietmar Hüser on the evacuation of psychiatric institutions in the German-French border area at the beginning of the Second World War. The work is located in the research group project ‘Evacuations in the Franco-German border area during the Second World War’ funded by the DFG and ANR. Her dissertation ‘Baby you drive my car - VW Beetle and Citroën 2CV on the way from the consumer product to a cult object. A German-French transfer history’ is directed by Dietmar Hüser and Hélène Miard-Delacroix.
Vitus Sproten is a PhD student at the Center for Contemporary and Digital History at the University of Luxembourg. He is doing his PhD on pop culture exchanges on media in the area between Maas and Rhine (Maastricht-Liège-Aachen) in the period from 1955 to 1990. He focuses on the festivals of the region as well as the emerging free radio stations. Sproten is also researcher at the Center for East Belgian History (ZOG), a regional historical research center in the German-speaking Community of Belgium.
Christoph Vatter has studied French Cultural Studies and Intercultural Communication, French language and literature and German as a foreign language at the Saarland University and the University Laval (Québec). He did his doctoral research at the Saarland University and the University Paul Verlaine (France) and graduate 2008. 2010-2017 he was Junior-Professor of Intercultural Communication at the Saarland University and since 2017 he is interim professor at the Martin Luther University Halle. His major fields of activity in research and teaching are intercultural business communication, intercultural management and training, and French cultural and media studies.
Julia Wack studied History, Art History, Archaeology and Cultural Management in Cologne (D) and Maastricht (NL), focusing on contemporary art, communication and heritage; followed by 15 years of organising and contribution to large scale exhibition projects, publications, film series and festivals in Germany, The Netherlands, Belgium, Switzerland, Romania, France and Luxembourg. Most recently Régisseur des expositions at Mudam and Communication Coordinator of CinEast Film Festival (both Luxembourg), her main research interests are Popular Culture, Performance, Film and Esthetics. Within Popkult60, she is researching the work of amateur film clubs of the 1960s in the Greater Region.
Maude Williams has studied history and cross-cultural studies in various Franco-German university programs. She worked at the University of Saarland in a Franco-German research project on evacuations of the border region during the Second World War, in which her thesis was supervised (Sorbonne University / Eberhard Karl Universität Tübingen). She graduate in 2016. After being interested in the Franco-German conflicts of the twentieth century and communication mechanisms in wartime, her research is currently focused on the post-war cultural history in France Germany and especially the Franco-German musical exchanges.
Clemens Zimmermann works as a professor of cultural and media history at the Historical Institute of Saarland University. In his habilitation, from 1991 in Heidelberg, he turned to basic questions of housing policy. His focus is on European urban and media history since the spring-modern era. Special attention will be paid to media cultures and media politics, journalism and cinema history as well as the mediatization of rural and urban spaces.